Friday, 26 October 2012

MARIA CALLAS IN 2013

BY PETER HUDSON

 
2013 marks the 90th anniversary of the birth of The Prima Donna Assoluta, which will possibly mean reissues of her recordings and the inevitable new biography of her life.
 
2013 also marks the 200th anniversary of Italy's greatest opera composer, Giuseppe Verdi born in October 1813. The two anniversaries are very significant as Maria Callas was a great exponent of Verdi's works. In fact, she admired his work very much indeed and performed in many of his most famous operas, including La Traviata, Nabucco, Don Carlo, Macbeth, Rigoletto, Il Travatore, Aida and I Vespri Siciliana, the latter with which she opened the season at La Scala in December 1951, under the baton of Victor de Sabata, which was hailed as a triumph for her.
 
Regarding her involvement with Verdi, on 27th October 1951 she performed as Leonora in Il Travatore at the San Carlo Opera House in Naples to celebrate the 50th anniversary of his death.
 
The great opera singer Jussi Bjorling, who performed with Maria in Il Travatore in 1955, said of her, 

"She was the greatest Leonora of them all."
San Carlo Opera House, Naples

 
I will be available in my capacity as a Lecturer and also available to stage exhibitions and displays about her life. I can be contacted by phone on 07833370191.

Wednesday, 17 October 2012

PETER HUDSON PRESENTS 

MARIA CALLAS    1923 - 1977

"PRIMA DONNA ASSOLUTA"

A CELEBRATION





There have been many great female opera singers of the past, but Maria Callas was undoubtedly the greatest opera singer and actress of the 20th Century, with a voice that can only be described as magic,unique and something quite out of this world.The pride of place she still holds in the public's affection is indicated by the sales of her legacy of wonderful recordings, which are higher now than in her lifetime. Her life was one of triumph and tragedy. She was a perfectionist, and because of this many opera house directors and indeed her fellow performers found her a very difficult person to work with. However, this did not detract from her performance and the magic she created whilst on the opera stage or concert platform. Noel Coward said of her after seeing a performance of 'Medea' at Covent Garden in 1959, "She is one of the few really great artists that I have ever seen in my life", and Joan Sutherland, who started her career in 'Norma' with Callas said, "She was always indefatigable. You couldn't fault her, and after seeing her 'Norma' and the presence she gave to the role, who could ever surpass that?"

In her short, triumphant but turbulent and ultimately tragic life, she appeared in nearly every great opera house in the world. Her passionate love affair with the Greek shipping magnate Aristotle Onassis, who used her for his own ends and then just as suddenly discarded her, and married Jacqueline Kennedy, was really the beginning of the end of her career, for she truly worshipped the ground he walked on and was completely besotted by him. He had a very powerful personality and could charm all who met him, but he was a ruthless businessman, and, sadly for her, she fell under his spell and was just one of the many trophies he collected. 
 
Maria gave everything of herself to her art. She was not only a great singer but was recognised by her peers as a truly great actress. Her special voice, which had a range no singer to the present day has been able to surpass, spanned three octaves and her repertoire moved through such diverse roles as Wagner's 'Brunnhilde', to Verdi's 'La Traviata'. Her performance and that magic voice always held her audience spellbound, for she always evoked such strong emotions whilst in a particular role that the public were literally hypnotised by her tremendous voice and magic personality. Maria made the Bel Canto style all her own, and her most famous role, that of the Druid Priestess Norma, from the opera of the same name by Bellini was, and is the one always associated with her, for she made it her own and one can never forget her rendition of the famous aria 'Casta Diva'. Equally, her portrayal of 'Floria' in Puccini's 'Tosca' was possibly the second of her most famous roles. Indeed it was as 'Tosca' that she started and ended her operatic career. Her 1953 recording of the opera with Victor de Sabata conducting has been hailed as a bench-mark recording, even today.
 

Throughout the 1950's and 1960's Maria was a glamour icon, dressed by all the most prestigious couture houses of Europe, namely Balmain and Dior. Along with her famous jewellery and fame, this elegant woman travelled the world and mixed with all the
wealthy and society people of the time. Her premature departure from the opera stage at the age of forty-one is a sad fact indeed, but her hectic social life and months without practice had taken its toll, both on Maria and her voice. She was becoming more and more nervous and found high notes very difficult to achieve. What is very evident is that she put her private life before her career and could have, if she had so wished, carried on singing for another twenty years. We must be grateful that in 1952, after much persuasion, she agreed to sign an exclusive contract with the HMV recording company and today her many recordings are testament to her special talent and enduring and steadfast popularity. 
Maria Callas the Prima Donna Assoluta died at the untimely age of fifty three, in September 1977, in her beloved Paris, and robbed the opera world of a truly great singer.
 
2013 will see the 90th anniversary of the birth of Maria Callas.
 



This tribute is presented by Peter Hudson, Music Reviewer, Lecturer, Researcher, and Exhibition Organiser. He has a vast archive of music and music related items and an archive of over 16,000 photographs relating to opera and popular music. Peter has hosted many major exhibitions, and has lectured on Maria Callas for the past twenty years.
 
For further information, please contact
Peter Hudson, Tel:- 07833370191
 
 
Thanks to Larraine Anderson for page creation
 
 
 
Copyright Peter Hudson 2012   

 "Sometimes I just want to be Maria Callas, not La Divina"